Hard Drip, A Lotta Sauce 2 | Mix | SHON ROKA (DJ)

Hard Drip Alotta Sauce



Track List.

1. Bhad Bhabie ft. Tory Lanez - Babyface Savage (Dirty)
2. Asian Da Brat - Tweaking’ (Dirty)
3. Juicy J ft. Kevin Gates & Lil Skies - Let Me See (Dirty)
4. Tee Grizzley ft. Offset - Pray For The Drip (Dirty)
5. Gunna - Speed It Up (Dirty)
6. Gucci Mane - By Myself (Dirty)
7. Offset ft. Cardi B - Clout (Dirty)
8. Lil Pump ft. Offset - Faso Faso (Dirty)
9. ScHoolBoy Q ft. 21 Savage - Floating (Dirty)
10. Dreezy ft. Kasha Doll - Chanel Slides (Dirty)
11. Megan Thee Stallion - Big Ole Freak (Dirty)
12. Chief Keef & Zaytoven - Spy Kid (Dirty)
13. Gunna - One Call (Dirty)
14. Shy Grizzley ft. YoungBoy Never Broke Again - Bang Bang (Dirty)
15. Smokepurpp - Remember Me (Dirty)
16. Nipsey Hussle ft. Roddy Rich & Hitboy - Racks In The Middle
17. CRASH RARRI - The 6 (Dirty)
18. Doe Boy - Walk Down (Dirty)
19. NAV ft. Meek Mill - Tap (Dirty)
20. YG - Stop Snitchin’ (Dirty)
21. Sweetie ft. Quake - Tip Toes (Dirty)
22. PnB Rock & Lil Skies - I Like Girls (Dirty)
23. Juice WRLD - Robbery (Dirty)

SUB.Culture | Jersey Club Documentary | Part 3 | Presented by Sengled

In the final section of our Sub.Culture: Jersey Club Documentary, we explore how a local music scene has transformed into a global phenomenon.



Featured Music:
“LOV3” - TR!CK$
“Move It” - TR!CK$ (Ft. MBreeze)
“Ponanay” - R3LL
“Nxwrk” - Nadus

Part 1: http://bit.ly/1we7aCf
Part 2: http://bit.ly/1JOBj0k

Click here to subscribe to THUMP: http://bit.ly/Subscribe_to_THUMP

DAWEIRDO | NWA | Shot by @flyty773

DAWEIRDO | NWA | Shot by @flyty773



Directed/Filmed/Edited by FlyTy (A Fly Visual)
@flyty773

SUB.Culture | Jersey Club Documentary | Part 2

In Part Two of our three-part SUB.Culture series on the Jersey Club scene, we look at the influence of the genre's leading second generation producers.

We look at the music of DJ Jayhood, the self-proclaimed king of booty bounce music, a sparse yet catchy form of Jersey Club further popularized by artists like Mike Gip and Kayy Drizz. From DJ Lil Man, we learn the indisputable importance of dance to Jersey Club culture.

We also take a look at the impact of scene's breakout stars, Nadus and DJ Sliink, from their incorporation of other genres to create their own breed of Jersey Club to opening the doors for other producers to be seen and heard by a worldwide audience.

These artists have inspired a third and now fourth generation of Jersey Club producers--and due to the genre's current popularity, not all hail from New Jersey.



Watch Part 1: http://bit.ly/1we7aCf

Featured Music:

"Start It Up" - DJ Tiga
"Booty Bounce Anthem Part 2" - Mike Gip
"Polo Remix" - DJ Jayhood
"Hands On Ya Hips" - DJ Jayhood & DJ Joker
"One Leg Get Back" - DJ Lilman
"Team Lilman Anthem" - DJ Lilman
"Money On The Floor" - DJ Fade
"Haters Anthem" - Mike Gip and Kayy Drizz

SUB.Culture | Jersey Club Documentary | Part 1

From the Brick City to the Brick Bandits, Part 1 of our Sub.Culture Jersey Club documentary explores the local origins of the sound.



Featured Music:

"Sexy Walk 2K12" - DJ Lilman
"This Pussy Will Drive You Crazy" (Uniique Remix) - DJ Technics
"Nwxrk" - Nadus
"The Business Break Beat" - DJ Tameil
"Booty Work Instrumental" - Kayy Drizz

Click here to subscribe to THUMP: http://bit.ly/Subscribe_to_THUMP

Kia K x Jimbo | Finessin | Official Music Video

Kia K x Jimbo | Finessin | Official Music Video



Shot by @MR2CANONS (Prod. by Ju Cannon)

ILOVEMAKONNEN | I DON'T SELL MOLLY NO MORE | SIMON SMTHNG REMIX

Buzzing Atlanta upstart ILOVEMAKONNEN cannot be stopped. Between his summer smashes "I Don't Sell Molly No More" and "Club Goin Up On A Tuesday" he has quickly risen to stardom. He recently received the almighty cosign from Drake and numerous remixes from artists and producers alike. The latest rework comes from Charlotte native Simon SMTHNG. Listen as he adds a refined jazz-laden styling to the trap-inspired original "I Don't Sell Molly No More."

Bizzy Crook | The Come Up | Prod. Boi-1da

Bizzy Crook | The Come Up | Prod. Boi-1da

Coast 2 Coast LIVE | San Antonio Edition & Burmingham Recap

Artists sign up to perform at the next mixer: http://coast2coastlive.com



Get On The Next Mixtape: http://coast2coastmixtapes.com

San Antonio Edition








DJ Q - WBTT 105.5 THE BEAT/SHADYVILLE DJS/SIRIUS XM SHADE 45

THAT DAMN TOUCAN - 96.9 KISS FM MIXSHOW DJ (SATURDAYS 6-9)

DJ Hard Hitta - A&R for Rap A Lot/ Sony Red Distribution. Over 300 Mixtapes in the streets! Over a million downloads

Featured performance by
YMG

For more information on Coast 2 Coast LIVE Events visit http://coast2coastlive.com

PARTYNEXTDOOR Announces New LP | Debuts Drake-Assisted Song

by Chris Thomas/HipHopWired



Unlike last year, summer 2014 is pretty wide open as far as album releases are concerned. Because the music game is chess, not checkers, OVO Sound all but saw July for the taking.

Following news of Majid Jordan’s upcoming A Place Like This EP, PARTYNEXTDOOR returns with the announcement of PARTYNEXTDOOR TWO, the proper follow-up to his 2013 debut. The Mississauga-bred singer-songwriter and producer is a pretty elusive figure compared to OVO founder Drake. But the ambiguity has left fans to latch onto his music and nothing else, so expect them to clamor for PARTY’s new body of work.

Clocking in at 12 cuts, including the previously released songs, “Her Way” and “Muse.” PARTYNEXTDOOR TWO, due July 29, is available for pre-order via iTunes. Fans who do so will receive “Her Way” and a cut featuring Drizzy called “Recognize.”

Stream the song below. Find the artwork and tracklist there as well.



1. East Liberty
2. SLS
3. Sex on the Beach
4. Her Way
5. Belong to the City
6. Grown Woman
7. FWU
8. Recognize (Feat. Drake)
9. Options
10. Thirsty
11. Bout It
12. Muse

Bonham Carter | BbbyJhnsn

Peep the rework on Og Bobby Johnson by Bonham Carter!!!



BONHAM //CARTER

- - - - - - - - - - - - - - - - - - - - - -

Soundcloud: @peachflavor
Twitter: twitter.com/treet_s
BandCamp: bonhamcarter.bandcamp.com/releases

FREE DOWNLOAD via bonhamcarter.bandcamp.com/releases

Follow me on Twitter: twitter.com/treet_s
Also follow the FUTURE CULTURE FAM: @futureculture-2
JUNE 1, 2014 ~~~~BaeWatch
JULY 2014 ~~~~ MeditateEP

itsbonhamcarterlove

Kevin "PARADOX" en Perú | Pura Calle 2014

I believe this is a Judges Demo of Paradox at Pura Calle Battle 2014 in Peru, where he was also doing workshops and judging. Probably one of my favorite dancers! Super Sick...enjoy!

Mincha | You Know Me

Mincha gifts us his new track "You Know Me”, the 5th instalment in the 3am series. This year has seen the French producer begin a steady stream of live shows, release music with RAW Records, Trapdoor Records and receive support from BBC Radio 1's B-traits.

“You Know Me” represents Mincha's home grown sound, a mix of synth, bass & vocal chops that effortlessly blend to create the smooth recognisable sound that fits so eloquently into the uprising mellow yet vibrant electronic sound coming from France right now.

Follow Mincha
@minchamusic

20SYL FT. ODDISEE | ONGOING THING

So often we get caught up in the monotonous sounds of hip-hop. We hear the same boom bap, trap, and wack rap on a daily basis, and are only infrequently entertained with an effort that actually comes across our good creative graces. Some artists are better than others at putting out the kind of quality rap (and instrumentals behind them) on a consistent basis, though, and two individuals who’ve been putting in this outstand work are 20syl and Oddisee, who each happen to appear on this unbelievably tantalizing track of theirs entitled “Ongoing Thing”.

The effort is one that comes off 20syl’s upcoming On And On Records-released Motifs EP (out June 9th), and it’s one that’s going to build all the buzz needed to get yourself and others interested in the greater body of work. From 20syl’s varied vocal modulations, synths, and instrumentations, to Oddisee’s cooly calculated raps, to the enthralling atmosphere that’s birthed as a result of them both, “Ongoing Thing” excites. It’s no doubt going to become one of hottest tracks to jam to the entire year, so revel repeatedly in it below after you pre-order Motifs on iTunes.



Support this track on Hypem : bit.ly/ongoinghm

BIA | La Tirana | Original Music Video

Produced by Crystal Caines, "Latriana" is the first single of BIA's upcoming EP. Mixing spanish, trap and some venomous bars, BIA shows the world why she's the one to watch in 2014.

Label: I Am Other

Interview with GoldLink | DC-born proprietor of “future bounce”

GoldLink Might Be the Wildest DMV Rapper Since Wale: “I could start a revolution”

STORY BY: DUNCAN COOPER


GoldLink is a rapper who immediately seems to have carved his own lane—”future bounce” as he somewhat imprecisely calls it, “dream rap” as I even more poorly first conceived it. Basically he’s rapping over pittering dance beats that you can’t always dance to. Born in DC and now based in Virginia, he’s got a weirdness that could make him the biggest DMV rapper since Wale; at the very least, he shares a refreshing left-field newcomer’s confidence to experiment. Download his debut album, The God Complex, and below, read what he has to say about discovering club music, linking up with Soulection and the excitement of not knowing what might happen next.



Where exactly are you from? I was born in DC. I was born in Columbia Hospital, not that that matters… I ended up in Maryland. My apartment burned down and then I lived in Cheverly. My mother wanted better for us, so we ended up moving to Virginia, then my mom got divorced, but I stayed there.

Where are you living now? A few places. Woodbridge is one. Alexandria. It’s aight. There’s not a lot of minorities, so everything’s kinda awkward, but it’s cool. We manage. We stay on the west side, it’s calm and quiet.

I saw you said used to go to Busboys and Poets “on the very low.” What were you like as a teenager? At 17, I was wild. I was really wild. I was really smart for my age, but I thought I knew everything. I was really hardheaded, but I couldn’t control my temper. I was really smart-mouthed. I was the opposite of everything I am now. I was super loud and annoying. I was 17, you know what I’m saying?

Were you recording and putting out music at that time? Not at 17, no. I was just chilling.

That was a few years before Wale started blowing up, and Baltimore Club was having a big moment too. Did you feel that excitement? Even though I was young, I remember it. Wale was cool. You know how you had that friend circle and out of that circle one guy gets everybody hip? I was that kid. So I was like, yo, Wale, you head 100 Miles of Running? I got hip to Baltimore Club music because I took somebody’s CD out of their car and it was a blank CD with nothing on it. I was like, ‘What is all this?’ He was like, ‘Oh, it’s Baltimore club music, all this red light district music.’ I remember I caught that riff. I was young but I was old enough to understand that there was something in the DMV going on.



When you came out, your sound was already really solid. Did that take time? Were you fucking around over Zaytoven beats a few years ago? No, that was the sound. I never crossed over like, trap is cool, I’m going to do this. This is what I started with. I heard Ta-Ku beat two years ago and I thought it was cooler than all the bullshit that was hot. I didn’t care what the fuck was hot. I thought that was cool. I didn’t get it when I was 18 at all, but I just rode with it. That’s why it’s so natural over the beats. I wrote to those beats to challenge myself, not knowing that this is the route I was going to take. I was like, ‘Man, this is weird. I know someone wouldn’t rap over this so I’m going to challenge myself.’ So I just did. I was never really influenced by anybody.

How did you link with the Soulection team? I know you’ve worked with Sango. A friend of ours introduced us through email. We ended up talking and I ended up sending him tracks that I did over previous beats to see if he liked them. He ended up loving them and became a fan and he started sending me beats. From there we built a friendship. We got each others numbers and started talking and we both did Broccoli City Festival. That was two weeks ago and we kicked it there and we kicked it the whole day. It was all through email at first, though.

There’s more in the pipeline coming with him? Yeah, maybe.

I was going to ask you about Broccoli City—Cam’ron and Kelela performed, and you’re kind of like midway between them, to me. I met Kelela. Cam’ron was really protected, so he was kind of in and out. He did his job. But the scene was cool. DMV is such a soul, neo-black city. So people accepted both. There were a lot of people there who liked soul and they liked Kelela and were singing along, and there was a lot of people from the hood because it was in Southeast, and Southeast is like “Oh it’s Cam’ron!”

How do you deal with the not-showing-your-face thing at shows? I did UStreet with a mask at the beginning and then I took it off. I guess it’s like a suspense thing, but I’m really into the music and not into the imaging and I don’t necessarily think we should put an image to the music. I’d rather just make music, and people like that. For performing it’s different, because you actually get to look people in the face—these people that have been following you for months or maybe a few days and you get to look at them. It’s really intimate. I don’t mind showing my face to people because they get to deserve it.

It’s funny that you mention not putting an image to music, because your videos are so striking. The beats are on a spacey, electronic thing, but the videos have a very real street feel. Is that an important tension, for you? I could see why you could say it’s tension, but I don’t think it is. I make it work. Even though the beats are really outlandish and wild, that bounce is really familiar. It’s really different, but it’s the same trap bounce, the same street bounce, the same hip-hop ruggedness, but it’s really new it’s really futuristic sounding. That’s why I feel like people can actually accept it. It’s at a fine line where it’s different, but it’s not so new that it’s annoying or trying too hard. I made it mesh and meet in the middle. Tasteful.



Have labels been reaching out? Is it at that point? I guess it’s at that point. I like what I’m doing and I think it can grow naturally because it’s been growing naturally to this point. I want to see how far it can go naturally. If it makes a complete 100 percent sense, then maybe I’ll consider a label, but right now I’m content with what I’m doing.

What most excites you about what you’re doing right now? Knowing that I don’t know where it’s going to go or how big it could possibly be. The unknown is really exciting. This could be big! It could be on the radio, and it could change what people think. It could change the way the music goes. It could change the BPM. Knowing that I don’t know that makes me excited. Knowing that kids could take this route and add something to it is cool. Knowing that I could start something and start a revolution is exciting. That’s the coolest part about what I’m doing. In my city there’s a lot of hate, but I don’t get any of it at all. I get so much love it almost doesn’t make any sense. Kids are changing up the music and starting to let that image shit go. They’re starting to make better music and clique up more. This is the best era for the DMV.

What else do you want people to know? I want fans to be like, ‘Damn, that nigga tight.’

One of Chicago's Hottest Producer | D Major

Hip-Hop Producer Major F1rst, also known as Dmajor.

Makes a beat in under an hr. @ 5th Star Studios in Down Town Chicago. Book an appointment today for affordable package rates which include: Beat Production, Recording, Mixing, & Mastering.

HEADPHONE ACTIVIST | CLOUD CITY

Pete Domville, better known as Headphone Activist is an electronic music producer born and raised in Pittsburgh, Pennsylvania, Influenced by artists such as Clams Casino, Mr. Carmack, Araab Muzik, DJ Shaodw, Aphex Twin, and Soundmurderer, Headphone Activist continues to produce music with a Forward Thinking take on sound.

His forthcoming E.P., Cloud Rap. Classified as an instrumental production rather than his more traditional up-beat Hip Hop and Reggae productions, the progressive sounds and back-beats of Cloud Rap have everyone in the room swaying and moving.

It will be released in late April With Dirty South South Joe’s Label Deluxxx Records

https://www.facebook.com/HPABeats
https://twitter.com/PDomville

LUXE ft. Cesqeaux | All Up On You

LUXE, a sister duo originally from Los Angeles, spin and produce an eclectic mix of music, ranging from West Coast Anthems to 808 infused synth maximalism.

The upcoming pair have now moved to London, playing out shows & producing music befitting to their L.A culture mixed with a UK influence.

This release also sees Cesqeaux make a return to Trapdoor after a busy year of touring including recently working with Tropkillaz and fellow Dutch artists Yellow Claw.

Available for free download, and look out for more from LUXE & Cesqeaux.



Released by:
Trapdoor Records

Release date:
9 April 2014

Follow LUXE
@luxemusicla

Follow Cesqeaux
@cesqeaux

Boston George f. Rick Ross, Slim Thug & Rich Andruws | Greatness

Boston George drops a single from his upcoming mixtape, "Trappin In Traffic," featuring Rick Ross, Slim Thug and vocals from Rich Andruws.