Cutting Room x Poland: Chmielix, Funktion, Pac1, Stosunkowodobry

DJcityTV’s “Cutting Room” series has traveled overseas for a scratch session with some of Poland’s most talented turntablists. Watch as Chmielix, Funktion, Pac1 and Stosunkowodobry showcase their talents over a futuristic beat.

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DJ Babu on the Fight to Make Dilated Peoples’ New Album

Sixth grade. A friend says he's got the new Dilated Peoples. "You mean Dilated pupils?" I ask. "Uh no," he responds, "peoples." Then I said, "No, I really think it's pupils...like when you go to the eye doctor and they put those drops in your eye." This goes on for three minutes until we make it to Mr. Houston's social studies class and my friend pulls out the CD. It did not say dilated pupils...

"Early on it was very hard. We were trying so hard and no one could agree. I don't know if we ever had this conversation, but in my head I thought, 'Maybe this isn't such a good idea.' When you throw up ten songs and they are all nays, it starts getting a little discouraging. That first three to six months was very hard."

Flash forward five years, I'm still blasting that very same album, only this time I'm behind the wheel of a VW. It's the first real summer I spent soaking up hip-hop, naturally, including heavy doses of Kanye and Dilated Peoples. "This Way" was in heavy rotation. The first time I heard "Turn It Up (A Little Louder)" it gave me goosebumps...

"The biggest challenge was the pressure. I don't think we could have put a finger on it at the time, and nobody would talk about it at the time, but the pressure of coming back."

Flash forward nine years, I am on the New York subway, having just met my new DJBooth family/employers in person for the first time. "This Way" randomly comes on my headphones and sure enough, goosebumps...

"'Are we doing the right thing? Are we just throwing a wrench into the legacy and fucking up doing an album because we had to?' That was really hard. There was a certain point where we didn't even want to do a record unless it's gonna be adding to out legacy in a positive way."

In 14 years, I went from a clueless Nirvana fan to a professional music writer. A lot has changed, but Dilated Peoples have remained a force in not only my life, but the lives of hip-hop heads everywhere. Many of us only know a world with Dilated because they have been making music since the new generation of hip-hop fans were in diapers.

Now, eight years after their last full-length effort, Evidence, Rakaa Iriscience and the legendary DJ Babu are back with a brand new album, Directors of Photography, and I'm sitting across from Babu, hearing him explain that the album almost didn't come to fruition. It's like hearing from Santa Claus that Christmas almost didn't happen.

As you can tell, I have my own history with Dilated. As I'm sure is the case with many who seek something more from their music, they have remained a consistent ingredient in my hip-hop diet. To quote Rakaa, "The crew never left, but came back." Across the years, with shared verses, sample driven material from some of the game's best producers (Premier, Alchemist and Kanye among many others), and some razor sharp cutting for Babu, they have created a crisp, distinct sound that's instantly recognizable, no matter who produced the song. Even when I was a young punk with a brand new driver's license - before I really knew what a producer was - I could pick a Dilated beat out of a lineup. And Babu explained that's no accident.

"It's definitely deliberate. The funny thing is, even before I was in the group, Evidence and Rakk were just emcees; Ev wasn't even producing yet. So early on they had to go outside to get beats. Time passed, Ev started producing himself - being friends with Alchemist and Joey Chavez he caught the beat bug - so by the time I joined, he was already a great producer and I had started making beats myself and finding my sound, but I don't think we were strong enough to produce our whole album. Ev and Rakk come from the school of being able to reach out to producers, collab, and find a common ground that fits our sound, so by the time we started doing The Platform and Expansion Team, we found this nice groove of producing ourselves, but being able to reach out and grab a texture forma producer that we appreciate.

It's evolved to where this newest album, Ev and I did a lot to produce it. 90 percent of the time it was just me, Ev, and Rakk in a room and a recording right at Ev's house. We had a chunk carved out, and once we laid that foundation we started reaching out to friends or guys we know we could get good quality stuff from, but we were picking things that fit the context of the album."

Though they may have had to put in work to become skilled producers, Babu was already an expert behind the turntable. That consistent sound I was talking about is due in large part to Babu's DJ techniques, most notably his Jason Vorhees-like cutting.

"It's all really a matter of moving that fader to cut off sound. You might expose a sound on one turntable while getitng back to another sound muted on the other table. When you see someone really rubbing the record and they are moving the fader, a lot of that is scratching. Where they rhythmically take the sound and between hand movements on the record and movements on the fader, flashing the song in and out, you have different sounds you can achieve."

Most of the time, I consider cutting the window dressing of a song - a way to accentuate a beat or verse - but when it comes to Dilated, Babu's cuts are instrumental (pun intended) in creating that trademark sound. Babu explained the role scratching plays in their creative process.

"Every song is different. Sometimes we might start with an idea and everything else gets manifested from there. We got a song title and an idea, let's find the right beat. How are we going to interact with that on the chorus? Are we going to have a chorus vocally or am I going to scratch? Vice versa, there have been times when I've brought a scratch to the table and it sounds so dope the guys build a song around it.

At this point I'm like a musician in the group so I think the guys have it in the back of their head, 'How can we cleverly incorporate Babs into it?' And I'm always thinking about how I can interact with the guys. For us, we've been together for a long time, so we've fallen into this place where we tastefully know how to apply each other's strengths to the music."



Before they can get to laying down the cuts though, they gotta start from scratch (again, pun intended). So, for Directors Of Photography, how did it all begin? How did Babu and the crew push through those early difficulties he spoke about earlier and find a new rhythm?

"A lot of the early sessions were just us hangin' out and vibing, and whether or not I knew it the time, we needed to have the same ideology and needed to find out what our differences were. This is the first time we have a recorded an album in six or seven years so a lot of the process was just vibing and building with each other again. Smoke some weed, listening to music, throw some ideas at the wall.

Later in the the process it becomes more technical. Me and Ev will stay up, listen to records and craft beats ourselves. There are even days where it's not about the music, just taking notes. We've got these titles, these beats, what are we going to marry? What are we going to make? For this one, we came all the way back full circle, you know, just us three."

Sounds simple, but as we already heard, it most definitely was not. They struggled, they sweated, they worked. But a group who is committed to their legacy and cares about the quality of their music will always find a way, and sure enough, the strong survived.

"We started having keepers about five to six months into it, and before we knew it we had six or seven joints. It started changing. Morale was better, everyone swords were getting sharper. We were all getting used to seeing each other's punk asses everyday and ordering the same deli food.

You have to figure in too, we're all much older, people have children now, different responsibilities, geographically hooking up. It wasn't like we were on Capitol Records seeing three figures. You add all those factors in and at certain times, I really think all three of us can say separately we waited to throw our hands up.

But I'd like to think it's how much we care. It was a promise we made to ourselves and our core fans. After our solo stuff, we are going to take tour knowledge from our individual journeys, come back and make another record. Took a long time, but we did it and I'm really proud of the record."

For me, listening to Directors Of Photography will be that much sweeter knowing how much they busted their collective ass to make it happen. In my mind then, the mere existence of the album is a success, but what about for Babu? What does he expect from Directors Of Photography? What would make this album a success for him?

"I'd be a liar to say I don't want it to sell a lot of copies and have a great first week, but to be honest with you, if I care about anything I'd love to think that we have make our core fans happy. Our fans who have really followed us though out the years. The ones who have bought shirts, bought albums, come to the shows followed our solo endeavors and know all the lyrics. If we made them happy, I'll feel like this album was a success."

Music fans are a greedy bunch (myself included). Though I will undoubtedly wear out my speakers with this album, I'd be lying if I wasn't keeping one ear on the future. It seems like this album took a lot out of the guys, and they have been making music since many of us were children. So is this the Dilated's curtain call? The final act? The last Dilated album ever?

"I'll never say never, but one thing I can say is that we put everything we had into this record and this experience we thought was going to take three or four months ended up taking over a year and a half. It was hard. I'm still decompressing, to be honest. I couldn't tell you right now. One thing I know, it was worth it. I've never felt this strongly about one of our Dilated records since Expansion Team. We'll see. Ask me that in a year or two.

Age is nothing but a number. I'd like to say I still got a long time doing this. I can't force these two guys to stay on board, but as long as Dilated wants to keep going, I'm 200% down to keep this machine going."

Only time will tell if this is their last stand, but regardless, Dilated will never die. As long as there are hungry hip-hop heads out there, Dilated will remain influential. No matter how many years pass or how many kids go from snot-nosed 6th graders to hip-hop bloggers, Dilated will remain a force because of what they represent. As long as albums like 20/20 or Directors Of Photography are still being spun, Dilated will never truly end. They certainly still have it.

Fans can follow @DilatedPeople and @DJBabu for all the latest, and preview and purchase Directors of Photography here.

Written by Lucas G./DJBooth.net

Pioneer PLX-1000 Turntable Revealed | Video

Pioneer has officially announced their brand new analog vinyl turntable called the PLX-1000. This new Turntable by has most of the original layout of the iconic Technics 1200's that DJ's are familiar with along with some Super-OEM DNA and other minor improvements and adjustments to set it apart from the rest of the pack. The PLX-1000 also has the familiar Pioneer CDJ looks with the beautiful brushed black finish and silver/nickel accents. Check out the words and demo from legendary turntablists Q-Bert and Shortkut in the video below to get an early look at the PLX-1000.

The PLX-1000 has most of the familiar layout of a Technics 1200 with updates to make it that much better. For starters, it has the same Super-OEM turntable motor that is much more powerful than the standard Technics. This is the same motor in the Stanton ST-150's and other turntables like the new Reloop RP-8000 that we recently reviewed. Another upgrade to the PLX-1000 over the 1200's would be the removable (and replaceable) RCA cable and power cables. The PLX-1000 also has additional sound dampening and rubber reinforcements inside the turntable and also inside the tonearm which makes it a bit heavier than a 1200. Another nice touch is that the start/stop button has also been replaced with the play/pause button from the CDJ series. The PLX-1000 turntable also has new tempo range adjustments of ±8% and ±16% to ±50% while the classic 1200 only had 8%. One other item to note is the absence of a Phono to Line switch which means these turntables don't have an internal pre-amp as some other turntables, so its Phono Mixer RCA inputs for these only.

The Pioneer PLX-1000 turntable has a suggested retail price of $849 according to the press release below and we'll have a full demo and walkthrough at the Atlantic City DJ Expo Next Month, so stay tuned!



Tracks used:
Hot Since 82 - Shadow - Moda Black
Krystian Shek - Destroy And Rebuild V1.1
www.coldbusted.org

Cutting Room x Osaka: FUMMY, 4rest, YASA, B=BALL, GEORGE, KINUI, HI-C

Japan's third largest city Osaka represents in DJcityTV's world famous "Cutting Room" series! This episode  features some of the city's best DJs on the cut including FUMMY, 4rest, YASA, B=BALL, GEORGE, KINUI, and HI­C.



Watch previous episodes: http://bit.ly/11lxkF9



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DJ FUMMY: https://twitter.com/djfummy
DJ 4rest: https://twitter.com/DJ_4REST
DJ YASA: https://twitter.com/PLANTRECdjyasa
DJ B=BALL: https://twitter.com/djbball
DJ GEORGE: https://twitter.com/DJGEORGE69
DJ KINUI: https://twitter.com/dj_kinui
DJ HI­C: https://twitter.com/KIREEKDJHIC

Bryx and Wakcutt | Q&A Scratch Routine

Turntablists Bryx and Wakcutt from British Columbia, Canada join forces on a new Q&A scratch routine for DJcityTV.

Shiftee | Shift Happens Tour Diary #3 | Colorado

Breckenridge-Avon-Colorado Springs-Denver-Grand Junction



Shot & Edited by IV'n - http://twitter.com/ivnfeature

More Shift Happens Tour Dates - http://djshiftee.com

Music: Doctor Jeep - Numi - https://hotmomusa.bandcamp.com/album/...

DJ ND | Storm | DJcityTV

Belgium's DJ ND travels to the "lost city of Doel" to showcase his new routine using Reloop's innovative RP-8000 turntable. The 5x Belgian DMC Champion throws down two and half minutes of scratching and juggling laid over an instrumental produced by Germany's DJ Clear.

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DJ Eyeles | Bedroom Sessions VIII

Japan's DJ Eyeles throws down a three minute mini mix for DJcityTV's latest episode of Bedroom Sessions. The 22-year-old was previously featured in our Tokyo edition of the Cutting Room.

DJcity recognizes there's a ton of dope DJs from across the globe who deserve more shine. To showcase their talent, we've created a series called Bedroom Sessions which features folks throwing down sets in their homes. The mixes are open format without special effects, fancy club decoration and other fluff.



Got what it takes to be featured in the next episode? Send an example video (2-4 minutes) to brs@djcity.com

Thugli on the MikiDz Show | DJcityTV

Toronto-based DJ/producer duo Thugli performing on the MikiDz Show. Watch their full set here: http://bit.ly/1mHNTW8

Recorded live in Los Angeles on February 24, 2014.

DJ LeNERD | Battle Routine

We love it when our subscribers send us dope videos! Check out Singapore's DJ LeNERD performing his latest battle routine using two Technics 1200s, Pioneer's DJM-909 and Serato.



FOLLOW DJ LENARD: Facebook: https://www.facebook.com/djlenerd Twitter: https://twitter.com/djlenerd SoundCloud: http://soundcloud.com/lenerd YouTube: http://www.youtube.com/LeNerdable FOLLOW DJCITY: Record Pool & Blog: http://www.djcity.com Facebook: http://www.facebook.com/djcitycom Twitter: http://www.twitter.com/djcity SoundCloud: http://soundcloud.com/djcity YouTube: http://www.youtube.com/tvdjcity Instagram: http://www.instagram.com/djcity

DJ QBert | Boiler Room SF Live Set

The Legend Dj Qbert, getting down at the Boiler Room! Enjoy!!!!